CULTURE
IVORY COST: Aminata Traore: “I wanted to share my pain, my revolt and my hope!”
Aminata Traore, better known by her pen name Hamitraore is the author of two novels. LE COUTEAU BRULANT published in 2012 by Frat-Mat Édition and CACHEE DERRIERE LE MUR, published in 2016 by Éditions Harmattan. After graduate studies in modern literature, Hamitraoré turned to humanitarian work by working with national and international non-governmental organizations. She is now president of the GNITRESOR Foundation, which aims to mobilize resources to organize conferences in schools around the concept “the book as a means of raising awareness”. Our guest is very involved in the fight against FGM.
Ze-Africanews.com: Your first work, The burning knife, has as its theme, excision. A practice of which you have been victim, as more than 38% of Ivorian women in 2016, according to the figures of the Minister for the Advancement of Women, the family and the protection of the child. How can we explain this percentage, despite all the awareness campaigns?
Aminata Traore: Changes in mentality are always in the long term. Of course, the percentage is alarming, but we must welcome all the initiatives of the Ministry of Women and Child Protection, the United Nations system and national and international NGOs aimed at putting an end to this practice. Today, excision is no longer a taboo subject. The communities organized knife deposit ceremonies with information and training received on the practice. Let’s stay optimistic, I know that by 2020 we will get there.
You yourself have been a victim of this practice. What made you decide to tell your experience in your book, the burning knife?
I used to say that I am not proud to be a victim but I am proud to have had the courage to break the wall of silence. To break the silence by testifying is a great beginning of healing. In publishing this work, I wanted to share my pain, my revolt and my hope. And if this testimony can save would be only a girl, I would have won a battle. This work plunges us into the universe of female genital mutilation, that is, before, during and after this practice. I reviewed the psychological and physical consequences. I invite everyone to read “the burning knife”.
You do not just describe, you also go to meet people, especially students, to raise awareness
Children should also be given the opportunity to be the most affected by the practice?
If students are informed, they can stimulate discussion within the school and their families and become peer educators. Through the foundation and support of the partners, we were able to organize conferences and donate copies of the novel “the burning knife” to the libraries of the institutions visited.
What do you think of the government’s decision to go into repression with the effective implementation of the law banning female genital mutilation? Do you believe that this could help to more effectively combat this practice?
The law against the practice has been voted since 1998 but it was not until 2012 to see the first convictions. I am for repression. It is also a deterrent. But first of all, mass and outreach awareness must be intensified. Involve the print media, community and religious leaders. If everyone plays his part, I believe that we will put an end to this practice.
CULTURE
NINETEENTH FRANCOPHONIE SUMMIT – La Francophonie, un espace d’influence
On 4 and 5 October 2024, France became the world’s cultural epicenter. It hosted the 19th Francophonie Summit, an event that had not been held in France for 33 years. With the theme “Créer, innover, entreprendre en français”, more than a hundred delegations, including several heads of African states, arrived in Villers-Cotterêts and Paris to promote the French language and address major contemporary issues such as politics, the economy, digital and especially culture.
Under the sign of linguistic and cultural diversity
On 4 October, French President Emmanuel Macron, his wife and Louise Mushikiwabo, Secretary General of the International Organization of La Francophonie (OIF), received several personalities at the Village de la Francophonie at CENTQUATRE-PARIS, from various parts of the world and sharing the French language. It was a unique immersion in the Francophone cultural diversity. More than 30 countries and regions of the world were represented through pavilions, shows and performances, illustrating the creativity and richness of living arts from five continents as well as the vitality and plurality of francophone cultures.
Major diplomatic and political issues
The summit was not only a cultural event. It was also a major political platform, as more than 321 million people around the world share this language. Emmanuel Macron, accompanied by Louise Mushikiwabo, opened the event with a fiery speech in Villers-Cotterêts. He highlighted the resilience and reinvention of the French language. “La Francophonie is a space of diplomatic influence that allows us to embrace the challenges of the century,” said the French president, stressing that the French language is a tool for “resistance” and “combat”. True to his style, he used strong language while emphasizing the role of the Francophonie in defending sovereignty and territorial integrity, referring to the conflict in Ukraine and the crises in the Middle East.
Institutions that are stumbling
Founded in 1970, the OIF brings together 88 states and governments and is committed to the promotion of French and international cooperation. This year’s summit sees the addition of two new members, Ghana and Cyprus, strengthening the organization’s global reach. However, the current geopolitical tensions, especially with the Sahelian countries in the grip of coups (Mali, Burkina Faso, Niger), are also at the heart of the discussions. These states, suspended from the OIF’s bodies, were not invited to the event. The summit also addresses crucial issues such as digital regulation. In response to the spread of hate speech online, the OIF launched “l’Appel de Villers-Cotterêts”, a call to digital giants to build a safer and more diverse digital space.
A booming Francophonie
The number of French speakers could grow exponentially, especially in Africa where population is expanding. By 2050, this figure could reach 715 million, placing the Francophonie at the heart of global educational and economic issues. However, this ambition requires a significant investment in French language education and support, especially in developing countries. Although the Francophonie is sometimes criticized for its lack of visibility or limited influence, Louise Mushikiwabo remains optimistic about her ability to “move things forward” despite the challenges.
A memorable international event
The year 2024 is a great year for the Francophonie. After the Olympic and Paralympic Games, the commemoration of the 80th anniversary of the D-Day and the reopening of Notre-Dame Cathedral in Paris, these historic moments can be said to reinforce the importance of the French language on the international stage. In order to show that the Francophonie is not limited to the French language, several English-speaking countries, such as Ghana, were invited. In a world resolutely turned towards the use of English, the French language still has good days ahead.
CULTURE
SENEGAL- Who is JAHMAN X-PRESS, this artist in concert at the Point Fort of Aubervilliers
On Saturday, September 27, 2023, Abdou Lahad Thioune, better known as Jahman X-Press, will be playing at Le Point Fort in Aubervilliers. We can be sure of one thing: he will propose us a live mixing urban afro and Mbalax. But with an artist of this caliber, you have to expect everything.
Jahman X-press or Mr. Refrain
Nicknamed “Mr. Chorus,” Jahman X-press is a never-ending star, captivating anyone who has the chance to hear his melodious voice. His unique and unclassifiable style transcends genres and resonates far beyond the borders of Senegal. Jahman X-Press has thus become a key reference on the music scene in Senegal and internationally. This concert will be memorable.
Debut with the X-PRESS group
In 2005, Jahman X-Press entered the music industry with the band X-PRESS, alongside Brahim and King Selmind. Like a breeze that comes to invigorate a hot day, it breathes new energy into the group, giving them a new breath. Together, they arrange pieces such as “Ken Demoul Gnou Dess” (2010) and “Biir Ak Biti” (2016), albums that resonate like hymns within the Senegalese musical landscape. Hits like “Sama Baat”, “Am Am”, “Reer” and “Présent” make the audience dance, and the group’s performances from Dakar to Paris enchant the crowds and build their reputation. The group won many awards, including the Best Rap Group at the NESCAFÉ African Revelation competition in 2005 and the Best Album Group at the Top Awards in 2017, thus making their name part of the Senegalese musical pantheon.
A brilliant solo career
From 2018, Jahman X-Press will start a solo career. Like a caterpillar that has reached maturity and becomes a butterfly, he flies off alone to new horizons and then reveals the full extent of his artistic talent, spreading his wings with titles such as “Bamba la paix”, “Bamba Nieup”, “Bamba la Joie” and “Bamba Teranga”, in collaboration with Ahmada Jadid. These songs, true songs of peace and unity, resound like prayers. Other pieces, such as “Wakh Ma Allooo”, “Def Si Code” and “Ndeye”, show his ability to explore a range of varied themes while remaining true to the essence of his art. But Jahman X-Press is not only a master of the microphone; he is also a guitar virtuoso, a complete artist whose versatility allows him to navigate with ease through various musical currents.
Abiyo: the consecration
In 2021, Jahman X-Press takes a new step in his career with the release of the album “Abiyo”. Like an alchemist, he brings together renowned artists such as Ashs the Best, Selmind, NIX, Dayza Akhlou Brick and Dip Doundou Guiss to create a musical project that will be acclaimed by critics and audiences alike. This album is a jewel that shines with a thousand lights, confirming that Jahman X-Press is here to conquer the Senegalese music scene. His place among the rising stars is now engraved in the firmament.
Star on YouTube
Jahman X-Press is also a digital phenomenon; it’s a real star on YouTube. For years, he was the number one artist in Senegal, surpassing his peers. His video “Reer” became the first of its kind to reach the million-view mark in March 2016, a feat that demonstrates the depth of its impact. This popularity on social media is a reflection of his success and the influence of his music, which crosses the borders of Senegal to reach the whole world.
An artist to watch
With a career that is growing ever stronger, Jahman X-Press continues to inspire and gather around his music. His collaborations with renowned artists such as Wally Ballago Seck, Titi, Fou Malade and even the international group Sexion d’Assaut are proof of his open-mindedness and determination to push the boundaries of his art. His successful career has made him one of the great names in the African music scene. Jahman X-Press is a surprising artist whose voice will continue to resonate in the hearts of music lovers for years to come
CULTURE
SENEGAL – Jahman X-PRESS puts fire at Point Fort d’Aubervilliers
On Saturday, September 27, 2024, Abdou Lahad Thioune, aka Jahman X-Press, was in concert at Le Point Fort d’Aubervilliers. He proposed to music lovers, many came to see him, a sober and refined urban afro live, punctuated by this rhythm so characteristic of Senegalese artists: the mbalax.
Small focus
Point Fort. Aubervilliers. France. I was there, in the first box, standing up, enthusiastic, for 6000 km, somewhere, over there, in a small town located in the North of Ivory Coast. I know you’re going to ask yourself this question, which is a big and overwhelming question. I’ll give you the answer. When I’m not going to let you chew your noses off. Well, in this century of the internet, almost anything is possible. I explain the thing in one sentence: the charming presenter A. Diamanka, made me live this concert on WhatsApp.
Jahman, an artist with a clean and sharp
The artist made his entrance as an ordinary person. A two-tone Afro cut, a gold pendant without ostentation, a black t-shirt, a wide jeans faded and barefoot, that’s how Jahman got on the podium. He follows the series of his favorite repertoire, sometimes in fast flows, sometimes in staccato, sounds that go from wolof to French through English, not forgetting, of course, the wolof. But there was always in his sometimes dark, sometimes incisive texts, that zest of fantasy and seriousness that makes the artist’s charm.
The aesthetics of light
Behind the artist, a divine orchestra that distilled beautiful colored notes and behind the orchestra, a large red curtain whose brightness was supported by rotating projectors that diffused liquid light that intoxicated the eyes. To say this in a more poetic, aesthetic way, we will say that the moving head poured out beauty on stage. With this aesthetic light and the beautiful voice of this outstanding artist, music lovers could only receive a deep emotion. When all the objects, all the artists on a stage take the vivacity of colors, we can only be amazed.
JAHMAN, comfortable in all musical genres
At this concert, he demonstrated it again. A clever cross between different musical styles that delights the senses. To the rhythm from elsewhere, he mastifies his phrasing with wolof expressions. We dreamed about it: Jahman did. This guitar virtuoso has offered to lovers of good music a setting as sober as luxurious. Those who made the trip did not get bored. Nicknamed “Monsieur Refrain”, Jahman X-press has once again confirmed that he is a complete artist on whom Senegalese music can count. No musical current resists him, he is comfortable in all genres.
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