CULTURE
[CULTURE-BOOK] – Congolese writer Fiston Mwanza Mujila, “Les Afriques” Literary Prize 2021 for his book “La Danse du Vilain”
The name of the winner of the Grand Literary Prize “LES AFRIQUES” 2021 is known on Friday 10 December. It was the Congolese writer Fiston Mwanza Mujila for his novel “La danse du vilain” who was crowned. He succeeds Ayobami Adebayo of Nigeria, winner of the 2020 edition, with a book entitled “Stay with me”.
The Prix littéraire Les Afriques 2021 was awarded to the Congolese Fiston Mwanza Mujila for his novel “La Danse du Vilain” at Métailié Publishing in 2020, this Friday, December 10. He was chosen among other writers including Bernadine Evaristo for “Fille, femme, autre” at Éditions Globe; Marc Alexandre Oho Bambe for “Les Lumières d’Oujda” at Calmann-Lévy; Abdelaziz Baraka Sakin for “Les Jangos” Zulma; and Sindinwe Magona for “Mother to Mother” at Mémoire d’encrier
This is the sixth edition of the “LES AFRIQUES” literary prize that has just been awarded. “The Dance of the Villain” is a novel that mainly evokes the themes of inter-African migration, the artisanal exploitation of the riches of their subsoil by Africans and its corollary: the constant deterioration of their living conditions. It also talks about the growing gap between the African population and its political class, which is the only one to get richer.
Fiston Mwanza Mujila also questions the so-called joviality of Africans in general and Congolese in particular, by summoning through his characters, the story of the personal and collective tragedies behind a laugh or the frenetic rhythm of a dance… in this case the story of the “villain”. The rhythm and the celebration to exorcise the vileness of life? “In Africa, and particularly in the Democratic Republic of the Congo, there is a general and sustained amnesia; however, a country cannot evolve without memory. Reconciliation is needed, recognition of wrongs, justice, compensation, as in South Africa. What can be the role of intellectuals in this context? In the Congo, intellectuals are despised, they have no audience. When I try to question my parents or those of their generation, there are too many unspoken silences. In my novels, I chose to place myself below, on the side of miners, diggers, street children” Fiston Mwanza Mujila.
Who is Fiston Mwanza Mujila?
Fiston MWANZA MUJILA was born in LUBUMBASHI in the Democratic Republic of the Congo in 1981. He defines himself as a child of the mine. Lubumbashi is for him «the center of the world» from which he defines «his subjectivity» (Salon du livre d’Afrolivresque). Poet and novelist, “La Danse du Vilain” is his second novel after Tram 83 also published by Métailié. He is the recipient of several literary awards. He lives in Graz, Germany.
The literary prize “LES AFRIQUES”?
The literary prize “LES AFRIQUES” was created in 2015 by the association of readers LA CENE Littéraire. This award is given once a year to an African writer or Afrodescendant author of a fiction. This fiction must highlight a human, societal, ideological, political, cultural, economic or even historical cause in relation to Africa or its diaspora. This price includes a sum of money of €5,300, a work of art worth €3,500, the purchase of 100 copies of the award-winning book or the acquisition of the rights to the award-winning book for the geographical area of French-speaking sub-Saharan Africa.
The jury of the literary prize “LES AFRIQUES”?
This year 2021, the jury chaired by Professor Ambroise KOM was also made up of: Boubacar Boris DIOP (novelist, professor of literature) Koulsy LAMKO (novelist, professor of literature) BourahimaOUATTARA (writer and professor of literature) Sada KANE (journalist, literary critic, literary promoter). Alphoncine BOUYA (short story writer, novelist, former UN official).
The literary CENE?
La CENE littéraire is a non-profit association founded on 1 July 2015 by Flore Agnès Nda Zoa Meiltz, a Cameroonian and Swiss lawyer based in Switzerland. This association develops numerous initiatives to promote African and Afrodescent literature.
President Flore Agnès Nda Zoa Meiltz said: “We will decide which book will be read by tens of thousands of young Africans across the continent in 2022, including through our literary cafés. It will be the most read author (e) or the most read out of school program on the continent. It is unique in Africa and even in the world. It will be the only international award in the world this year that will be decided and funded by Africans. This is important because no universality or fraternity is possible if their foundations are not built on independence between the different components and mutual respect between them. A respectable Africa is first and foremost an Africa that takes responsibility!”
CINEMA
BURKINA FASO – Culture and tourism: The 4th edition of Tunnel honors the builders of the shadow
Koudougou, May 31, 2025 (AIB) – The 4th edition of Tunnel, a ceremony for distinguishing cultural and tourist actors in the Central-West region, was held in Koudougou on Saturday, noted the AIB on site.
This annual event, initiated by Adama Badiel, aims to create, according to him, a platform of visibility and support for artists and tourism professionals to allow them to establish themselves on national and international scenes.
The promoter Adama Badiel stressed the importance of this edition, placed under the sign of collaboration, recognition and collective construction. He recalled the fundamental objective of the Tunnel: “to highlight the cultural and tourist talents of the Center-West, these women and men who, often without spotlight or support, nourish our region with their passion, creativity, and determination.”
This year, the event paid a special tribute to its partners, whose support is deemed indispensable. Among the officials present were Jean Noël Bonkoungou, representing the minister of culture, patron of the ceremony, El Hadj Inoussa Bagué, president of the Patronat du Centre-Ouest, Franck Alain Kaboré, CEO of Cinéma Neerwaya, and Ali Bonkoungou, CEO of Salsabil Bâtiment, testifying to the commitment of the private and public sectors.
Despite a slight reduction to five categories in competition this year, due to a limited number of album releases and works meeting the criteria, Adama Badiel ensured that the “Golden Tunnel” category will evolve from next year to expand opportunities while maintaining the quality requirement.
The promoter also launched a call for goodwill because, “we need you to build a true ecosystem where art, heritage, tourism and youth can express themselves, thrive and inspire.” This heartfelt plea highlights the major challenge of the lack of resources to fully support the laureates and optimize their visibility.
Several emblematic figures of Burkinabe cinema, such as Eugène Bayala (Oyou), Sawadogo Alidou (head of the Village of Kikideni), and Rasmané Ouédraogo (Razo), have already been honored in previous editions.
This year, the winners on the artistic side include Mr. Baraka, Tasha, Yololo Junior, and KSB 80.
In the cultural and tourist field, personalities like El Hadj Inoussa Bagué, Franck Alain Kaboré, Rasmané Ouédraogo, Boubacar Berewoudougou (Hôtel Pousga), Catherine Zoma (ISMK), and Salfo Dermé were distinguished, in addition to tributes paid to ancient glories of Burkinabe music such as Pasteur Moussa Josué.
Adama Badiel concluded by stating that “the Tunnel is not a one-time event. It is a movement, an ambition, a bridge between what we are and what we can become. A strong message for the future of culture and tourism in the Center-West.
The boss’s representative, Jean Noël Bonkoungou, reassured the promoter of Tunnel of the support of the ministry.
Source: Information Agency of Burkina
Photo credit: Information Agency of Burkina
See on the platforms the legendary Senegalese hip-hop group Daara J Family. On May 30, 2025, the band returns with “COSAAN”, a committed single that resonates, with its morning mbalax melodies and gentle flows, as an essential reminder: never forget where you come from. The single has over 80,000 views and 900 comments on YouTube.
“Fan nga cosaanoo?” – Where are your roots?
This question in wolof, almost a supplication, serves as the thread to the new title of Daara J Family. NAACP literally means “origin” or “heritage”. With this single, the iconic duo formed by Faada Freddy and Ndongo D delivers a work that is at once poetic, political and deeply rooted in history, especially that of Senegal. It is also a call to African youth not to forget their origins. And above all to enhance its cultural heritage by walking with pride in the footsteps of the ancients.
Cosaan, between mbalax and rap
Formed in 1994, while still in high school, the members of Daara J Family never gave up their musical identity. Indeed, they have always mixed sharp words, spirituality and pan-African consciousness. In “COSAAN”, they revisit this tradition that is dear to them. In this song, there are traditional sounds (mbalax) and contemporary hip-hop textures, echoing their long-standing belief: rap was born in Africa, traveled, then came back. The refrain, translated into French, is unequivocal: “Le monde et ce qu’il contient / Si tu vas là et que tu l’obtiens / N’oublie pas, n’oublie pas / This is where your origin lies!” A direct appeal to African youth not to give in to cultural amnesia and to keep the memory of ancestors and African identity alive.
When history inhabits the word
Faada Freddy, with his recognizable soul voice among a thousand, hums: “We know where we come from/ What worries us is where we are going…” This lucid concern can only be tempered by an unwavering faith in the values of the elders. Ndongo D, adds in a quick flow: “If you forget yesterday, tomorrow you will be lost (…) You were born here, you come from here, you live here.” It is an anchor cry, a response to uprooting, a warning against forgetting.
Daara J Family: Making sense of the flow
From their first eponymous album in 1998 to Boomerang in 2003 — hailed as one of the best hip-hop albums of the century by The Observer — to Yaamatele in 2020, Daara J Family have always been able to combine the art of flow with that of meaning. Their commitment goes beyond words. They shared the stage with icons such as Public Enemy or Mos Def, and travelled through festivals from Africa to Europe, from WOMAD to Live 8.
COSAAN: a single dedicated to transmission
More than a return, COSAAN is a transmission. It is a manifesto. That of a knowledge, a duty to remember, a pride. At a time when markers are shifting, when crops are being diluted. In an era marked by migration, globalization and multiple influences, Daara J Family reminds us that identity is a foundation, not a burden. That heritage is not nostalgia, but a compass. And they offer a musical compass and identity with this single: Cosaan!
The monumental works depicting the battle of Little Big Horn, exhibited on the Pont des Arts in Paris in 1999, made the Senegalese artist famous. The installation has just joined the fortress in the Hautes-Alpes for at least ten years.
Muscled warriors meld, horse bumping. Sounds of the fury of battle are heard. Under the impressive curvilinear wooden frame of the old Rochambeau barracks, at the fort of Mont-Dauphin (Hautes-Alpes), is played the battle of Little Big Horn, opposing, in 1876, a coalition of Cheyennes, Sioux and Arapaho to the soldiers of General Custer’s regiment.
In thirty-five monumental sculptures, visible from 6 July, the Senegalese sculptor Ousmane Sow (1935-2016) celebrates the resounding victory of the fragile over the powerful. Deposited in this fortified village for a period of ten years renewable by his widow, the director Béatrice Soulé, this epic installation is well known to the Parisians who discovered it amazed, one day in March 1999, on the Pont des Arts.
The exhibition has remained in the annals with its record attendance – at least 3 million visitors in three months. «An unexpected success», recalls art critic Emmanuel Daydé, then deputy mayor for cultural affairs. For the former physiotherapist born in 1935 in Dakar, who later became an artist, it is consecration. But also, surprisingly, a swan song.
At the moment when Ousmane Sow gains international fame, the art world turns its back on him. Although he was the first African artist recognized in France, none of his successors, to whom he had paved the way, claimed it.
Mayor’s daughter supports her cause
It had all started well. In 1993, the Senegalese sculptor, who two years earlier had been on the cover of Revue noire – a quarterly magazine that revealed a number of African talents – was invited to the major five-year exhibition at Documenta in Kassel, Germany. In 1995, here he is at the Venice Biennale, which is to contemporary art what the Cannes Film Festival is to cinema. The autodidact dreams of an event in Paris.
By chance, he met Hélène Tiberi, daughter of the mayor at the time, Jean Tiberi. Who supports his cause at the City Hall. The location is easy: it will be the Pont des Arts, between the Louvre and the Academy of Fine Arts. It will take diplomatic treasures to convince these two institutions, who have not seen with a good eye the proximity of massive silhouettes imagined by an African artist.Archives «World»: Ousmane Sow questions Bordeaux and politicians
The neighbouring National School of Fine Arts, where figurative art was then taboo, is also pinching its nose. Money is missing. The Havas group had initially promised to contribute to the addition of 5 million francs (the equivalent of 1 million euros today), but its new CEO, Jean-Marie Messier, is sneaking out. Béatrice Soulé moves heaven and earth, finds sponsors and is personally indebted to the tune of 1 million francs. More here
Source: Le Monde
